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The Seven Seals of the Apocalypse

Revelation extracts ↵

Revelation 4

Then, in my vision, I saw a door open in heaven and heard the same voice speaking to me, the voice like a trumpet, saying, 'Come up here: I will show you what is to take place in the future.' With that, I fell into ecstasy and I saw a throne standing in heaven, and the One who was sitting on the throne, and the One sitting there looked like a diamond and a ruby. There was a rainbow encircling the throne, and this looked like an emerald. Round the throne in a circle were twenty-four thrones, and on them twenty-four elders sitting, dressed in white robes with golden crowns on teir heads. Flashes of lightning were coming from the throne, and the sound of peals of thunder, and in front of the throne there were seven flaming lamps burning, the seven Spirits of God. In front of the throne there was a sea as transparent as crystal. In the middle of the throne and around it, were four living creatures all studded with eyes, in front and behind. The first living creature was like a lion, the second like a bull, the third living creature had a human face, and the fourth living creature was like a flying eagle. Each of the four living creatures had six wings and was studded with eyes all the way round as well as inside; and day and night they never stopped singing:

Holy, Holy, Holy
is the Lord God, the Almighty;

who was, and is and is to come.

Every time the living creatures glorified and honoured and gave thanks to the One sitting on the throne, who lives for ever and ever, the twenty-four elders prostrated themselves before him to worship the One who lives for ever and ever, and threw down their crowns in front of the throne, saying:

You are worthy, our Lord and God,
to receive glory and honour and power,
for you made the whole universe;
by your will, when it did not exist, it was created.

Revelation 5

I saw that in the right hand of the One sitting on the throne there was a scroll that was written on back and front and was sealed with seven seals. […]

Revelation 6

Then, in my vision, I saw the Lamb break one of the seven seals, and I heard one of the four living creatures shout in a voice like thunder, 'Come!' Immediately I saw a white horse appear, and its rider was holding a bow; he was given a victor's crown and he went away, to go from victory to victory.

When he broke the second seal, I heard the second living creature shout, 'Come!' And out came another horse, bright red, and its rider was given this duty: to take away the peace from the earth and set people killing each other. He was given a huge sword.

When he broke the third seal, I heard the third living creature shout, 'Come!' Immediately I saw a black horse appear, and its rider was holding a pair of scales; and I seemed to hear a voice shout from among the four living creatures and say, 'A day's wages for a quart of corn, and a day's wages for three quarts of barley, but do not tamper with the oil or the wine.'

When he broke the fourth seal, I heard the voice of the fourth living creature shout, 'Come!' Immediately I saw another horse appear, deathly pale, and its rider was called Death, and Hades followed at its heels.

They were given authority over a quarter of the earth, to kill by the sword, by famine, by plague and through wild beasts.

When he broke the fifth seal, I saw underneath the altar the souls of all the people who had been killed on account of the Word of God, for witnessing to it. They shouted in a loud voice, 'Holy, true Master, how much longer will you wait before you pass sentence and take vengeance for our death on the inhabitants of the earth?' Each of them was given a white robe, and they were told to be patient a little longer, until the roll was completed of their fellow-servants and brothers who were still to be killed as they had been.

In the vision, when he broke the sixth seal, there was a violent earthquake and the sun went as black as coarse sackcloth; the moon turned red as blood all over, and the stars of the sky fell onto the earth like figs dropping from a fig tree when a high wind shakes it; the sky disappeared like a scroll rolling up and all the mountains and islands were shaken from their places. Then all the kings of the earth, the governors and the commanders, the rich people and the men of influence, the whole population, slaves and citizens, hid in caverns and among the rocks of the mountains. They said to the mountains and the rocks, 'Fall on us and hide us away from the One who sits on the throne and from the retribution of the Lamb. For the Great Day of his retribution has come, and who can face it?'

Revelation 7

Revelation 8

Revelation 9

Seven Seals

I recommend that Revelation (the best translation I know of is from the New Jerusalem Bible) be read in conjunction with the following images.

Eliphas Levi, in his Dogme et Rituel de la Haute Magie (p 364 / p 399 in the English translation as Transcendental Magic), represents the seven seals together, effectively 'sealing' the whole content of the Apocalypse (Greek for 'Revelation').

In that, he manages quite well to render visually so much of the written imagery used by St John. The whole book is in so many ways reflected and 'contained' by these 'seven seals'. So visually, the whole Apocalyptic text can be 'read' from the imagery as given – quite an achievement. Admittedly, it should be noted that Levi writes:

It was at the epoch of the Gnostic and Manichaean heresies that the Tarot must have been lost to the Church, at which time also the meaning of the divine Apocalypse perished. It was understood no longer that the seven seals of this kabalistic book are seven pantacles, the representation of which we give [here to the right], and that these pantacles are explained by the analogies of the numbers, characters and figures of the Tarot.

For the benefit of those who do not read Hebrew, the bottom left-hand circular depiction reads: Holy Jerusalem.

Rudolf Steiner similarly makes use of these images knowing full well, I would suggest, not only their source but also that here is a visual representation of the whole segment of text, rather than what may be described as 'seals'. Steiner has this to say about them:

The seven pictures that decorate the hall are symbolic expressions for quite specific ancient truths. They represent the so-called seven seals of ancient, and ever new, wisdom. This is spoken of in the Apocalypse of John, and this Apocalypse is a kind of interpretation of an esoteric symbol language. Whoever studies the seals will recognise the images in the visions of the writer of the Apocalypse. Every letter, every colour of the seals means something. When we look at them together in the right way and sense the connection, quite specific feelings are released, which can engender an inner strength. (GA 284 - 21st of May 1907)

Interestingly and in light of Levi's comment above, Steiner claims of tarot that 'whoever could combine the right numbers with the right pictures was able to read it. This wisdom of numbers and pictures has been taught since primeval ages'.

   Eliphas Levi 7 seals of the Apocalypse

Steiner's representations of the seals

Rudolf Steiner's diagrammatic seals representations, as painted by Clara Rettich in 1911, are probably the best known amongst but few. These, to be sure, are clearly based on Eliphas Levi's own renditions (right-hand column):

Apocalypse Seal Flaming Sword

Apocalypse Seal Flaming Sword

Apocalypse Four Living Creatures

Apocalypse Seal Four Living Creatures

Apocalypse Seal Four Horsemen

Apocalypse Seal Seven Trumpets

Apocalypse Seal Jaochim and Boaz

Apocalypse Seal Jaochim and Boaz

Apocalypse Seal Woman Clothed with the Sun

Apocalypse Seal Woman Clothed with the Sun

Apocalypse Seal Thousand Year Reign

Apocalypse Thousand Year Reign

Apocalypse Resurrection

Apocalypse Seal Resurrection

It should be called to mind that the images above are wonderful artistic renditions from Steiner's own sketches. As should be obvious, the sketch and the finished image are of course a little different. In fact, the finished imagery is a little different with different renditions. Below is Steiner's sketch, followed by Clara Rettich's 1907 mildly different version to the above (it should be noted that these 1907 renditions made for the Munich Conference are, in each of the other seals, a little more Levi-like than the ones shown above).

The letters around the seal refer to the Rosicrucian Ex Deo Nascimur • In Christo Morimur • Per Spiritum Sanctum Reviviscimus - taken from the Fama Fraternitatis (though originally therein as Ex Deo nascimur, in Jesu morimur, per Spiritum Sanctum reviviscimus). This last seal Steiner talks of as the Holy Grail.

Apocalypse Resurrection

Apocalypse Seal Resurrection